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https://www.simonemassafra.com/files/gimgs/th-80_1506159883880086-Simone-Martini-Annunciazione-principale.jpg
https://www.simonemassafra.com/files/gimgs/th-80_monet.jpg
https://www.simonemassafra.com/files/gimgs/th-80_66359-Amalassunta-Superba-Foto-263.jpg
https://www.simonemassafra.com/files/gimgs/th-80_tapiz-del-guernica-expuesto-en-la-onu.jpg
https://www.simonemassafra.com/files/gimgs/th-80_billArmstrong.jpg
https://www.simonemassafra.com/files/gimgs/th-80_Douglas-Gordon-Self-Portrait-of-You-Me-Johnny-Cash-2010-©-Studio-lost-but-found_-DACS-2016_-861x1024.jpg
https://www.simonemassafra.com/files/gimgs/th-80_philippe-parreno-speech-bubbles.jpg
https://www.simonemassafra.com/files/gimgs/th-80_Felix-Gonzalez-Torres_Untitled1991.jpg
https://www.simonemassafra.com/files/gimgs/th-80_Eliasson-Olafur_Seu-corpo-da-obra_MM20151-980x540.jpg
https://www.simonemassafra.com/files/gimgs/th-80_Unknown.jpg
https://www.simonemassafra.com/files/gimgs/th-80_4x4_1.jpg
https://www.simonemassafra.com/files/gimgs/th-80_06l1710013001_100x130_fall_in_paris.jpg
https://www.simonemassafra.com/files/gimgs/th-80_MORGI0013-Natura-Morta-Still-Life-1956-e1446237682287.jpg
https://www.simonemassafra.com/files/gimgs/th-80_180L19006_B8MDS_FINAL_v2.jpg
https://www.simonemassafra.com/files/gimgs/th-80_1229591_orig.jpg
https://www.simonemassafra.com/files/gimgs/th-80_lucio_fontana_concetto_spaziale.jpg
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https://www.simonemassafra.com/files/gimgs/th-80_Sophie-Ko-Chkheidze-Geografia-Temporale-Pala-daltare-pigmento-145x245cm-2014.jpg
https://www.simonemassafra.com/files/gimgs/th-80_180L19006_B8MDS_FINAL.jpg
https://www.simonemassafra.com/files/gimgs/th-80_Marcel-duchamp-chocolate-grinder.jpg
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https://www.simonemassafra.com/files/gimgs/th-80_4x4_3.jpg
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https://www.simonemassafra.com/files/gimgs/th-80_cristoMorto.jpg
https://www.simonemassafra.com/files/gimgs/th-80_gioconda-orig.jpg
https://www.simonemassafra.com/files/gimgs/th-80_Donna-che-piange-Pablo-Picasso-analisi.jpg
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fourFORfour è un processo di distruzione e di rigenerazione elettronica di un'immagine digitale.

Sedici pixel diventano l'unico reperto e testimonianza visiva di ciò che era un'opera d'arte.
Affidando alla macchina i reperti sopravvissuti alla distruzione delle informazioni digitali, attraverso un processo di generazione e di ricostruzione di ciò è andato perduto, viene fuori un'immagine nuova.
Un processo intenzionale in cui l'immagine artistica perde la sua identità e la sua aurea per riacquistarne di nuove, seppur mantenendo inalterati alcuni tratti cromatici.

Work in progress
Dimensioni variabili